Underpainting

In painting one should always have their eye on the final layer.

Everything you do from the very first thumbnail should be to facilitate the final piece. The end goal. That perfect image you had in mind from the very first time you put pencil to paper.

Unfortunately it doesn't always work out that way. For instance, you might find yourself laboring away at your work for hours, days, weeks, or dare I say months ending up nowhere near where you started but still not any closer to finish. Needless to say we all stray from our planned path at times but that doesn't mean we won't end up exactly where we need to be in the end. Sometimes it requires a simple course correct and sometimes you've just got to wade through the mud. Either way, everything you put down is just the underpainting for what comes next.

The underpainting is your foundation. It will inform every decision you make throughout the process. It is where you can make your mistakes, take risks, or just play around.

Even when you look back at what you did and say... "nope, should of done this instead. This would have gotten me there quicker"... realize that you had to make those mistakes and take those risks to have found that out.

Could it have been easier? Yes, and you know that now.

So when you work and you work and all you can see is the underpainting, just know that it's all building up to the finish. In the end it will only make your painting that much richer, that much more involved; and you can always look forward to the moments where your earliest underpainting still shines through. Those moments where you know you got it right in the first pass, where you took a big risk and it just worked. The moments that stood up to all the scrutiny that everything else didn't, because even finished isn't really finished sometimes.

What to Listen to...?

I know I'm not alone in the fact that I need to be listening to something while I work. This of course raises the question "what to listen to...?"

For me it is frequently changing and is usually dependent on my tastes for the week. I've gone from music to audiobooks and back but every so often I like to throw in the occasional podcast. There are hundreds of podcasts out there but today I want to direct you guys to one in particular.

SiDEBAR is a comics, art and pop culture podcast that can be found here. This podcast is just fantastic. It's hosted by some great guys and they've had some fantastic guests. Everyone involved is very down to earth and they all just love to talk about ART. I've heard some amazing stories from these interviews and picked up some great tips on the illustration business and on life as an artist in general.


They have an extensive archive (the BARchives) and all of their shows can be found there. I strongly recommend that you go browse and listen to some.

Below are just a couple (several) of my favorites...

George Pratt (part 1)
George Pratt (part 2)

Greg Manchess

Iain McCaig

Brom

James Remar

Drew Struzan

Irene Gallo

James Gurney

Phil Hale

John Van Fleet

Jeff Preston

Justin 'Coro' Kaufman

Brad Rigney

In the Zone - Achieving your Flow

We've all found ourselves getting "in the zone" when we work. We lose track of time until "just a couple of hours" becomes all day. Whats happening to you isn't entirely some superhuman ultra focus, enabling you to ignore everything short of the urge to pee (and sometimes even that). What is happening is that you are entering a mental state of operation known as flow.

Flow is a mental state in which the individual transcends conscious thought reaching a heightened state of both concentration and calmness. It is characterized by energized focus, full involvement, effortlessness, and enjoyment in the process of whatever activity you are doing. In essence it is the complete absorption into what one does.

Being able to enter a flow state usually means that you are doing something that you enjoy and are good at, but that also challenges you. Achieving this requires a confidence in skill that matches the task at hand. I believe that if you know enough about what you are doing, and you have the confidence and skill level to do what you do without thinking about it at every single turn, you can allow your mind to let go enough to reach your state of flow.

When in a flow state you are practically immune to any internal or external pressures and distractions that might otherwise hinder your performance. You simply stop thinking about any other problems you might have and concentrate solely on the task at hand. In this way, achieving a flow state can become your very own version of therapy or a meditation of sorts.

Below is a detail from a painting I did back in 2011. It was part of my thesis show in college and I was very strapped for time. This resulted in very very late nights and long long days of painting. For this particular piece I found myself so tired that I would doze off mid brushstroke, waking up periodically to find that I'd slashed green or red across the whole face, forced to start again from scratch. I can't remember much of the painting process but after dozing in and out of not quite sleep countless times the last thing I remember was waking up (or rather becoming aware) at my easel to the completely finished face shown below. 

I like to think of it as exaggerated proof that a flow state is the ultimate creative zone and that being in one is to be at the highest level of focus towards a particular task that you can be. To be so immersed in the task at hand that your brain can actually do it in it's sleep.